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EDINBURGH'S ITALIAN CULTURAL INSTITUTE.

The Italian Cultural Institute, founded in 1979, is an office of the Italian Ministry of Foreign Affairs - Department for Cultural Promotion and Cooperation.

The Institute promotes Italian language and culture in Scotland and Northern Ireland and cooperates with local Institutions and Universities and serves as well as a gathering point for the Italian community.

The Institute promotes academic exchanges, organises arts exhibitions, sponsors the translation of Italian books, supports various events on literature, music, sciences, dance, film, design, fashion, theatre, cuisine, architecture, photography, etc

 

 

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Add Me! 

        

This is your chance to help our reader Anita is happy to gauge your reactions and feedback to her story as she searches for a publisher.
The novel is based on the story of the Italian migration to the various corners of the UK, spanning a period from the late 1800s to the post-war years.

Anita tells me that her main aim is to see what kind of interest the story generates amongst the many people of Italian descent. A really positive show of interest (& potential sales!) could be enough to persuade a publisher to take the risk on a new writer.
Anita is a actually a lecturer in Computing, although writing has always been her passion.

 

Here's a little taster...........

THE HOKEY POKEY MAN

PROLOGUE

Carla waited some way along the path, keeping a discreet distance between herself and the old man. A lump came to her throat as she watched the frail, slightly stooped form labouring on the winding path that led upwards and away from the mountain-top cemetery. He paused now and then to take off his hat, wiping away droplets of sweat that merged into little rivulets on his forehead, only for them to reappear almost immediately in the unforgiving heat of the sun. Since he had heard the bad news, Carla thought, he seemed to have shrunk in stature, retreated inside his own body.

She could never remember seeing him like this before, it was almost as if a light had gone out. He was nearer now, one last effort and he would be there. But things were far from over for him. Earlier, Carla’s heart had almost broken as she watched him stand forlornly on the edge of the little group of people, head bowed in resignation and regret as the coffin slid into place. Things were done differently here, in this remote, mountain region of Italy; some graves in the ground, but mostly, slots in the wall, three or four high, where ancestors slept together in eternal silence. His weathered face had crumpled visibly as he turned away.

But no, it wasn’t over yet. Carla knew there was still one more thing he had to do, one more ghost to lay to rest. She reached out her hand to him as he came alongside, gently guiding him towards to the car. He sat in silence and she made no attempt at conversation either, knowing him well enough to understand instinctively he would prefer to be left alone with his thoughts. They drove a short distance up the rough-made road that led to the village before turning off sharply to the right, crunching onto a narrow lane that gradually petered out into a stony, dry-crusted track. The whole journey took just a few minutes. Carla stopped and turning off the ignition, looked around. She knew this was the right place, but there was nothing much to see; partly obscured by ancient olive trees, three steps leading upwards to nowhere stood expectantly alongside a heap of rubble. At the end of an overgrown path was a small ‘rustico’ - a ruined farm cottage, roof dipping ominously, window-shutters rotted and drunkenly askew. A few lizards clung lazily against the warmth of its thick stone walls. Just to the side of the same path stood a little cappella, or shrine. This, too, had suffered the ravages of time; roofless, and the once cornflower-blue plaster faded and peeling to a dingy, mottled grey. At the back, a metre-high alcove still curved gently as if to embrace the religious statue of a Madonna that had long since gone. Carla sighed softly.

For the second time that day, she stood back and watched the old man get out of the car; she knew her presence would not be welcomed beyond this point. He stood motionless for a moment, quietly taking in his surroundings; things had changed so much in the intervening years. Slowly, he turned his attention to the cappella. Someone had bolted a rough stone slab onto the wall near the top; it carried a roughly-hewn inscription, a curious combination of Italian and the local dialect. With shaking hands, he adjusted his glasses, pushing them right to the top of his nose. Squinting against the light, he read:

‘Built for my dear son, Sabatino, in penance and atonement for all he was forced to give up for his family. If only he were still here with us now. May God and Our Lady grant me forgiveness. Built in this year AD 1900’.

A tear trickled from the corner of the old man’s eye and his legs gave way beneath him. Kneeling before the cappella, he buried his face in his hands. Bent shoulders, once broad and strong, now shook uncontrollably and the single tear became a torrent as he wept like a child.



CHAPTER 1

Sabatino awoke to the sound of birds squabbling and a shaft of sunlight streaming through the one and only window in the barn. In fact, it wasn’t even a proper window, just a gap that had been left deliberately at the apex of the rough Majella stone barn, providing ventilation for stored crops and animals. Little had changed in the countless years since it had been built by long-forgotten ancestors; certainly the barn itself remained the same, good, local stone, still solid and timeless despite enduring the rigours of several earthquakes and extreme weather conditions. The surrounding land rolled into the infinity of the valley below, wild and untouched. Eyes still heavy with sleep, the boy blinked a few times and rolled lazily on his back, arms raised behind his head, quietly inhaling the comfortingly familiar smell around him.

It was a good smell; a heady mix of warm, sweet earth and hay mixed with the musky scent of animals – goats, pigs, two donkeys and numerous chickens that shared the barn with him; the three pigs, though, together with a small flock of sheep, stayed outside in the warm weather. He smiled lazily as his hand made contact with the body of another, living being – his favourite goat, Tina – which, of course, he would have named Tino, like himself, had it been born male. He had hand-reared it almost from birth, after it’s mother had become sickly and died. The goats especially were his pride and joy, it was his job to look after all the animals and for him it was a labour of love. Papa often laughed at him for being too soft – ‘molto sensibile,’ he would mock, especially when it was time for one of Tino’s precious charges to be slaughtered for the table; but Sabatino did not care and would just shrug his shoulders nonchalantly, so that Papa would not notice the tears in his eyes. He absently tickled a sensitive spot just behind the goat’s ear and was rewarded when a wet nose gently nuzzled his hand.

“Tino, Tino! Time to get up!” Mamma’s voice penetrated his thoughts, as she called across from the little house where the rest of the family slept. Sabatino’s name had long since been shortened into a more manageable form by everyone except the local priest up at the village, and Mara. Ah, Mara! A smile flickered across his lips as he thought of the lovely young daughter of one of the neighbours. So far, just a smile here, a shy glance there; but one day, he promised himself, Mara would be his wife.

“Tino, Get up, you lazy boy! Pigro ragazzo!”

“Coming, Mamma, coming,” he called back, swiftly pulling on his rough cloth trousers not a moment too soon, for the stocky figure of his mother was already rapidly approaching the entrance to the barn. He fumbled hastily with his clothing. All this familiarity was fine when he was a little boy, but he was thirteen now, approaching fourteen fast, and almost a man, growing taller and stronger by the day, the hard work on the land tightening his muscles and turning the colour of his skin from olive to a deep, golden brown. It was late Summer, the weather stayed hot despite the cooling mountain breezes and Sabatino slept on a bed of hay, naked and without covers. It really wouldn’t do for his mother to see him like that; a faint flush of pink coloured his cheeks at the thought.

Lena D’Abbruzzo was a handsome woman, a tiny yet imposing figure framed in the doorway, a faceless outline silhouetted against the dawn sky. It was uncanny how such a small woman could convey such a remarkable presence that seemed to envelop everyone and everything in sight, and that included Tino. Hips swayed menacingly and plump arms folded over an ample bosom. Tino knew that pose well, and realised he was in trouble. “Well, hurry up now, Tino – it’s late and I need you to get water from the spring,” she grumbled, head bobbing up and down comically like a puppet. “Trouble with you, mio ragazzo, you’re always too busy day-dreaming to do your work properly.” Tino felt an urge to laugh, but he didn’t dare. “Those smelly goats, that’s all you care about. Never mind that your Mamma needs her water! Paah!”

“Mi dispiace, Mamma, I’m sorry’, Tino mumbled, still struggling with his trousers. “I will go right away.”

Grabbing two pails from against the barn wall, he sidled warily past his mother and out into the open air. He skirted a little stone well to the right, near the farmhouse itself. Yes, there was water there, but Mamma insisted that it was not pure enough for her cooking, only good for the animals and irrigating the crops. He would have to go further down the mountain slopes to reach the spring, where the water was crystal clear and on certain days, when the air was still, it would sounded like tinkling bells as it tumbled over pebble and rocks.

He did not dare look at his mother; he knew the deep brown eyes would be even darker with menace. No one could afford to sleep late when they lived off the land, there never seemed to be enough hours in a day to do all the tasks as it was. Maddalena herself worked as hard as anyone else, too, doing more than her fair share of the chores. She was a good wife and mother to her family. There had been nine children in all, but of those only six still survived - Tino was the fourth eldest, after Francesco, Carlotta and Emilia. She had taken the death of her children hard and it showed in the deep furrows imprinted on her forehead and the fine streaks of silver that stood out in stark contrast against the blue-black hair. She was still a long way off forty but looked much older. Arms still folded, she watched her son running barefooted down the hill; if he had stopped for just a moment to glance back, he would have seen the corners of her mouth curling upwards in a smile, and the unadulterated love that lit up her eyes.

Once out of his mother’s sight, Tino gradually slowed his pace to an ambling walk, and his thoughts turned to other things. He wondered idly whether he would see Mara today. Sometimes, he would see her with her Mamma at the spring. He hoped she would be there today. It was not yet Sunday, so he knew he could not see her in the little church at the top of the hill, as he did most weeks. He began to whistle, a little out of tune, but even so he was proud of his whistling ability, because when he really tried, it could be heard from quite a long way off. He and his friends would have competitions to see who could whistle the loudest and more often than not, he would win.

He smiled. Today was Friday. Even if Mara was not at the spring, there was just tomorrow to go and then it would be Sunday anyway. His spirits lifted, as they always did when he was out in the open air. He loved this land. It was still very early, but already the sun was climbing higher in the sky, bathing the mountains in its soft pink glow. The warmth seemed to penetrate his very being and little droplets of moisture appeared on his forehead in response. He looked back up the path; right behind, Colleruta, where his family had farmed for centuries; renowned for it’s olive groves, fruit orchards and the fattest, ripest figs and cherries anyone could wish for; even further back, hidden by trees and higher up the mountain the little village of Picinisco, with it’s pretty mediaeval church and towering castle; across the valley and hidden by dense trees, San Gennaro with Villa Latina just below.

Dotted all around were other villages and hamlets – Le Serre, Il Cervo, Vallegrande - often no more than a few ‘rusticos’, farmhouses, huddled together intimately. When he had been very small, Tino had the strangest notion that these little houses were talking to each other, whispering age-old secrets, especially when the chill winds blew through the mountains and made all kinds of strange, creaking and groaning noises. Some people said the mountains were haunted, but Tino didn’t believe that for one moment. There were wolves and snakes, though, and despite the warmth, he shuddered slightly at the thought.

Some of the older villagers, who had travelled in the past told tales of how on a clear day, from the top of towering Monte Meta behind him, you could even see Vesuvius in the far distance. He wondered if that was true; he didn’t really know much about Vesuvius, except the little he learned from the priest, who taught most of the children in the village; that it was a volcano that had erupted and buried a whole town of people beneath molten rocks and lava. It all sounded a bit too far-fetched to him, fire and rocks coming out of the top. Tino had never been right to the top of Monte Meta, but it did sometimes feel like it was very high up in the world even here, and the summit was much higher again. The furthest he had ever been was to the little market in Atina, where he and Mamma sometimes loaded up the donkey and took along cheeses and other food items to exchange for clothing. Tino loved it all, the sights, the smells, the sounds; his love of this beautiful, primitive land was buried deep inside him, an integral part of him. He didn’t want or need anything beyond his immediate surroundings, and although he was sometimes curious, why worry about places he would never need to go?

Please email Anita with your comments she'd be happy to hear from you.